The series was at its best early on, when the humor crackled and the couple was forced to act loving on the surface while antagonism brewed underneath. Yeo-reum approaches them and grabs Ki-tae in a bear-hug when Ki-tae pouts that he only greeted Jang-mi. Soaked and deserted by family and friends, Ki-tae and Jang-mi just look at each other and begin to laugh. They commiserate over how hard it is to be around women who have to talk everything out, while men just get each other without speaking. When Jang-mi asks what Dad ever did to give Mom assurance, it takes all the fight right out of him, but the news that Mom has cancer hits him even harder. Jang-mi argues that the forecast predicted it would clear up, and the bride gets her way so the umbrellas come down. Instead of giving Jang-mi personal satisfaction, this just led to her being dismissed and overlooked by her friends and family. But I believe that even though he did a lot of growing, Ki-tae still stayed essentially himself through the course of the show… he simply learned how to turn his protective instincts to the people he loves rather than keep it all for himself. He offers to sell her his recipes and bids her farewell, and in voiceover she says that this goodbye was the beginning of the wedding trouble. Nobody had to have a personality transplant in order for someone to love them… yes they all changed some, but they just became better versions of themselves. Jang-mi says in voiceover that in life, the worst things happen during the best times, but you can get through life because the best things also come with the worst.
Oh, this is so sad. When he asks for congratulations, Mom says he ought to congratulate her, so he starts in with the lip service of how he owes it all to her. But I believe that even though he did a lot of growing, Ki-tae still stayed essentially himself through the course of the show… he simply learned how to turn his protective instincts to the people he loves rather than keep it all for himself. It is in some ways the least romantic and most realistic of depictions since we have characters who run the gamut from happily wed, happily divorced, to some whose marriages resemble war buddies who are in it till the end because no one else would know their pain. The women are as touched as Dad is horrified, and they all hug again leaving Dad out in the cold. Jang-mi says she likes the small tub, and they canoodle as she says in voiceover that at that point, they still trusted each other. At least the finale went out on the kind of cold open I had loved early on. Before, their quirks and hangups were holding them back, but they learned to take those qualities in themselves and use them in a positive way instead of letting the personality trait be in control. None of us live in a vacuum and, good or bad, our families shape and define who we are. She sighs at all the other ladies who have husbands, boyfriends, and sons to support them, but pretends disinterest when her own husband shows up. Soaked and deserted by family and friends, Ki-tae and Jang-mi just look at each other and begin to laugh. She says sadly that their bet is over since her parents will never see eye-to-eye, but Ki-tae still has hope. They commiserate over how hard it is to be around women who have to talk everything out, while men just get each other without speaking. If her parents get back together, Jang-mi has to marry him. Mom asks for the house, and invites Grandma and Mi-jung to live with her not as in-laws, but as friends. She tells Dad to take responsibility for his love, and find fulfillment. But once they started using it to misrepresent scenes altogether with footage that was a direct lie, it stopped being clever and felt manipulative; they lost meaning when I could only start counting them as fantasy sequences. They exchange wedding rings in the pouring rain, as Jang-mi thinks how marriage involves not just them, but both of their families. This goes for the parents as well as the leads, because none of them really changed dramatically; they only learned to accept themselves and take responsibility for their own happiness. He turns to Grandma for support, but Grandma tells him to give her the divorce. They seal the deal with rainy kisses. I love watching actors grow role by role, and these two had such a fantastically timed growth spurt in the same drama opposite one another. Marriage Not Dating was a relative success for tvN it reached a high of 4. Jang-mi and Ki-tae were dysfunctional because their families were dysfunctional — but rather than fighting the future in-laws for control like so many drama characters, they actually drew those families in and worked on healing them. Ki-tae turns and walks away, leaving Jang-mi alone at the altar. Grandma says she has something to confess and asks if Mom remembers when she left home with Ki-tae. They reminisce over all the key points of their relationship, teasing and joking adorably.
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